Elliott, Richard (2010): Fado and the Place of Longing: Loss, Memory and the City. Aldershot: Ashgate.
Feiler, Bruce (1998): Dreaming Out Loud: Garth Brooks, Wynonna Judd, Wade Hayes, and the Changing Face of Nashville. New York: Avon Books.
Fichna, Wolfgang/ Reitsamer, Rosa (2011) (Hg.): They say I´m Different. Popularmusik, Szenen und ihre Akteur_innen. Wien: Löcker.
Finnegan, Ruth (1989): The Hidden Musicians. Music-Making in an English Town. Middleton: Wesleyan University Press.
Florida, Richard (2004): The Rise of the Creative Class – …and How it´s Transforming Work, Leisure, Community, & Everyday Life. Paperback Edition. New York: Basic Books.
Florida, Richard (2005): Cities and the Creative Class. New York/London: Routledge.
Friedrich, Malte (2010): Urbane Klänge. Popmusik und Imagination der Stadt. Bielefeld: transcript.
Gaupp, Lisa (2016): Die exotisierte Stadt. Kulturpolitik und Musikvermittlung im postmigrantischen Prozess. Hildesheim: Universitätsverlag Hildesheim/Hildesheim, Zürich, New York: Georg Olms Verlag (Center for World Music – Studies in Music ; Band 1).
Gendron, Bernard (2002): Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago: University of Chicago Press.
Gertler, Meric S. (2004): Creative Cities: What Are They For, How Do They Work, and How Do We Build Them? Ottawa, Ontario: Canadian Policy Research Networks.
Gillett, Charlie (1970): The Sound of the City. New York: Panthenon Books.
Gnad, Friedrich (1994): Musik, Wirtschaft und Stadtentwicklung. Dortmunder Beiträge zur Raumplanung 64. Dortmund: IRPUD.
Göschel, Albrecht/Kirchberg, Volker (Hg.) (1998): Kultur in der Stadt. Stadtsoziologische Analysen zu Kultur. Opladen: Leske + Budrich.