Music and the City sets urban musical cultures within new global and cross-disciplinary perspectives. The series aims to open up new ways of thinking about music in an urban context, embracing the widest diversity of music and sound in cities across the world. Breaking down boundaries between historical and contemporary, and between popular and high art, it seeks to illuminate the diverse urban environment in all its exhilarating and vivid complexity. The urban thus becomes a microcosm of a much messier, yet ultimately much richer, conception of the ‘music of everyday life’.
Communicating the Arts Lausanne will take place September 27-29 2021. The conference wants to share best practices and develop new understandings about the growing contribution that cultural organisations are making to create better cities. Submission deadline for topics for Keynote Speeches, Workshops or Case Studies is April 30,
Based on case studies of Melbourne, Austin and Berlin, Andrea Baker’s publication is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept. More https://www.palgrave.com/gp/book/9783319963518
by Alenka Barber-Kersovan Comments Off on Book: Socio-Spatial Developments of Underground Music Venues
Taking into account broader processes of urban regeneration, the new book by Robin Kuchar combines the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes to examine how originally DIY and Underground based music venues handle ongoing transformations within their surrounding social environments. Basing on the elaboration of venues as multilayered spaces, fieldwork around three clubs in Hamburg, Germany – Golden Pudel, Molotow and Mojo Club – shows, that venues undergo different changes in order to preserve their idea(l)s of self-governed cultural work. Therefore, new urban conditions evoke fundamental changes regarding the venues´ initial spatial and cultural strategies, which lead to new constellations and levels of autonomy, professionalization and institutionalization.
Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere by Giacomo Bottà
The book is a comparative study of deindustrialisation and popular music in Manchester, Düsseldorf, Torino, and Manchester. In these cities, during the late 1970s and early 1980s,punk and post-punk scenes actively shaped new collective forms of making and consuming music. The music they produced has been canonized and understood as a “score” for grey, gloomy, decaying urban industrial environments or for their evocation. But I was interested in the real relationship between deindustrialisation and this kind of music production. The book examines the role of music in deindustrialisation, showing that it’s a vanishing mediator in the step from the industrial to the post-industrial city. Moreover, it reflects on the significance of ‘deindustrialisation music’ as cultural catalyst and heritage in contemporary urbanisation.
More you can find here https://rowman.com/ISBN/9781786607379/Deindustrialisation-and-Popular-Music-Punk-and-%E2%80%98Post-Punk%E2%80%99-in-
Manchester-D%C3%BCsseldorf-Torino-and-Tampere and here https://www.amazon.de/Deindustrialisation-Popular-Music-Manchester-Interventions-ebook/dp/B088KWMM1H#reader_B088KWMM1H