Urban Music Studies

Scholars Network

27/08/2021
by Alenka Barber-Kersovan
Comments Off on Cambridge Elements in Music and the City

Cambridge Elements in Music and the City

Music and the City sets urban musical cultures within new global and cross-disciplinary perspectives. The series aims to open up new ways of thinking about music in an urban context, embracing the widest diversity of music and sound in cities across the world. Breaking down boundaries between historical and contemporary, and between popular and high art, it seeks to illuminate the diverse urban environment in all its exhilarating and vivid complexity. The urban thus becomes a microcosm of a much messier, yet ultimately much richer, conception of the ‘music of everyday life’.

More: https://www.cambridge.org/core/what-we-publish/elements/elements-in-music-and-the-city

08/05/2021
by Alenka Barber-Kersovan
Comments Off on Music Cities – Evaluating a Global Cultural Policy Concept

Music Cities – Evaluating a Global Cultural Policy Concept

This book by Ballico, Christina, Watson, Allan (Eds.)

• Evaluates the globalisation of the ‘music city’ as an urban cultural policy paradigm

• Examines the advantages and challenges of adopting music city policies in a range of cities in different geographical contexts

• Argues that local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities

More: https://www.palgrave.com/gp/book/9783030358716

26/04/2021
by Alenka Barber-Kersovan
Comments Off on Electronic Cities – Music, Policies and Space in the 21st Century

Electronic Cities – Music, Policies and Space in the 21st Century

This book edited by Darchen, Sebastien, Charrieras, Damien, Willsteed, John

  • Analyses the influence of music city policies and planning oriented policies on the development of urban electronic music scenes
  • Explores links between cultural policies and the built form mediated by the creative city discourse
  • Provides a better understanding of what urban electronic music scenes are today, how they operate in the contemporary context, and what kind of policies influence their development
  • Comprises a valuable resource for policy makers, students and academics in Creative Industries/Music Studies/Urban Studies/Urban Planning/Architecture and Urban Design

More: https://www.palgrave.com/gp/book/9789813347403

19/04/2021
by Alenka Barber-Kersovan
Comments Off on Urban Desires: Music and Nostalgia

Urban Desires: Music and Nostalgia

Submissions are invited for ‘Urban Desires: Music and Nostalgia’, a special issue of Nineteenth-Century Music Review.

The call is available here https://urbandesires.hcommons.org and a pdf version can be downloaded here: https://bit.ly/31RF30H.

05/04/2021
by Alenka Barber-Kersovan
Comments Off on Communicating the Arts Lausanne on “The Art of Placemaking”

Communicating the Arts Lausanne on “The Art of Placemaking”

Communicating the Arts Lausanne will take place September 27-29 2021. The conference wants to share best practices and develop new understandings about the growing contribution that cultural organisations are making to create better cities. Submission deadline for topics for Keynote Speeches, Workshops or Case Studies is April 30,

More: https://www.artsmanagement.net/Articles/Call-for-Papers-Communicating-the-Arts-Lausanne-on-The-Art-of-Placemaking,4294

23/01/2021
by Alenka Barber-Kersovan
Comments Off on The Great Music City – Exploring Music, Space and Identity

The Great Music City – Exploring Music, Space and Identity

Based on case studies of Melbourne, Austin and Berlin, Andrea Baker’s publication is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept.
More https://www.palgrave.com/gp/book/9783319963518

03/11/2020
by Alenka Barber-Kersovan
Comments Off on Book: Socio-Spatial Developments of Underground Music Venues

Book: Socio-Spatial Developments of Underground Music Venues

Taking into account broader processes of urban regeneration, the new book by Robin Kuchar combines the appearance of a more and more commercialized live music culture and changing spatial strategies of DIY scenes to examine how originally DIY and Underground based music venues handle ongoing transformations within their surrounding social environments. Basing on the elaboration of venues as multilayered spaces, fieldwork around three clubs in Hamburg, Germany – Golden Pudel, Molotow and Mojo Club – shows, that venues undergo different changes in order to preserve their idea(l)s of self-governed cultural work. Therefore, new urban conditions evoke fundamental changes regarding the venues´ initial spatial and cultural strategies, which lead to new constellations and levels of autonomy, professionalization and institutionalization.

More information on the publisher´s website

23/10/2020
by Alenka Barber-Kersovan
Comments Off on Seoul – The Ninth Music Cities Convention

Seoul – The Ninth Music Cities Convention

The Ninth Music Cities Convention will be held from 11th till 12th of November 2020 in Seoul, South Korea.

One session of this virtual convention will be devoted to the topic Covid-19: The response of the Global Music City as an opportunity to create sustainable musical ecosystems.

More you can find here https://www.musiccitiesevents.com/seoul-mcc-2020

03/10/2020
by Alenka Barber-Kersovan
Comments Off on Deindustrialisation and Popular Music

Deindustrialisation and Popular Music

Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere by Giacomo Bottà

The book is a comparative study of deindustrialisation and popular music in Manchester, Düsseldorf, Torino, and Manchester. In these cities, during the late 1970s and early 1980s,punk and post-punk scenes actively shaped new collective forms of making and consuming music. The music they produced has been canonized and understood as a “score” for grey, gloomy, decaying urban industrial environments or for their evocation. But I was interested in the real relationship between deindustrialisation and this kind of music production.
The book examines the role of music in deindustrialisation, showing that it’s a vanishing mediator in the step from the industrial to the post-industrial city. Moreover, it reflects on the significance of ‘deindustrialisation music’ as cultural catalyst and heritage in contemporary urbanisation.

More you can find here https://rowman.com/ISBN/9781786607379/Deindustrialisation-and-Popular-Music-Punk-and-%E2%80%98Post-Punk%E2%80%99-in-

Manchester-D%C3%BCsseldorf-Torino-and-Tampere and here https://www.amazon.de/Deindustrialisation-Popular-Music-Manchester-Interventions-ebook/dp/B088KWMM1H#reader_B088KWMM1H