Conference Programme
We are delighted to announce the final programme of our conference. Beside the three Keynote Lectures by Will Straw (Montreal), Susana Zapke (Vienna) and Martin Cloonan (Turku), Groove the City will offer many exciting paper presentations and some special conference events. The conference will be held at Campus Rotes Feld, Leuphana University of Lüneburg.
Friday, 23rd of November 2018
| From 13.00h | 1st Floor | Arrival and Registration |
| 14:30-15:00h | W.HS 3 | Welcome Speeches
Welcome by Organizing Commitee Ulf Wuggenig – Dean Faculty of Humanities and Social Sciences |
| 15:15-16:15h | W.HS 3 | Plenary Lecture:
Will Straw (Montreal): Urban Music as Policy Object. Host: Ulf Wuggenig (Lueneburg) |
| 16.15–16.45h | 1st Floor | Coffee Break |
| 16.45–18.15h | Parallel Sessions I | |
| W.122 | Policy, Planning and Urban Development
Adrian Debattista (Valletta): Mobilising Alternative Capital in an emergent Music Sector: The Case of Live Music Promoters in Malta Séverin Guillard (Paris): From Urban Imaginaries to Urban Development: The Impact of Rap Music on the Image of two American Cities Robin Kuchar (Lueneburg): “Underground” Clubs as Urban Policies? Music Venues, the City and the Meaning of Symbolic Value Chair: Lisa Gaupp (Lueneburg) |
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| W.123 | Hegemonies, Networks & the Meaning of Soundscapes
Angela Fiore & Sara Belotti (Modena): Mapping the Este Court: Urban Soundscapes of a Ducal City (XVII cent.) Luciana Ferreira Moura Mendonca (Pernambuco): Soundscapes, Scenes and (Con)tradi(c)tions: Music and Public Action in Recife Utku Öğüt (Berlin): Contructing a New Sound for Bosphorus: From Nostalgia to Neo-Conservative Cultural Hegemony Chair: Alenka Barber Kersovan (Lueneburg) |
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| 19.00h | Stintmarkt/ Trattoria de Flaviis | Conference Dinner
An atmospheric night with 3 course menu & wine at the historic Stintmarkt (old harbour) |
| From 22.00h | Stintmarkt/ PONS | A last beer at Niklas Luhmann´s parental home
A further opportunity of exchange in Lueneburg´s oldest pub founded by ancestors of well-known German sociologist Niklas Luhmann. |
Saturday, 24th of November 2018
| 10:00 – 11.00h | Parallel Sessions II | |
| W.122 | Cultural Policies and Local Music
Kayla Rush (Belfast): Researching Formalized Rock Music Education in Mid-Sized Cities Eileen Hogan (Cork): Music-Making, Well-Being and Cultural Policy in a Small Irish City Chair: Volker Kirchberg (Lueneburg) |
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| W.123 | Differing Times & Policies? Music, the Night and Queer ApproachesGiacomo Bottà (Helsinki): Dancing in the Dark: Urban Nights and Popular MusicRosa Reitsamer (Vienna): ’Not Singing in Tune’: Feminist-Queer and Anti-racist Approaches to Music and Place in Vienna. Chair: Martin Cloonan (Turku) |
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| 11.00 – 11.30h | 1st Floor | Coffee Break |
| 11.30 – 12.30h | Parallel Sessions III | |
| W.122 | The Construction of Place and the Music Market
Aoife Kavanagh (Maynooth): Making Music and Making Place: Mapping Musical Practice in Ireland’s Small Towns Ana Oliveira (Lisbon): Do it Together Again: Networks, Flows and Spaces in the Construction of Music Careers in the Portuguese Indie Scene Chair: Giacomo Bottá (Helsinki) |
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| W.123 | Collective Action & Community Building
Piet C.A. Severijnen (Nijmegen): The Communicative Function of Music in Processes of Citizen’s Participation Jordan Zalis (St. John’s): ’This that new Toronto’: On Basketball, Music, Community Building, and Drake Chair: Paula Guerra (Porto) |
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| 12.30 – 13.30h | 1st Floor | Lunch |
| 13.30 – 14.30h | W.HS 3 | Plenary Lecture:
Susana Zapke (Vienna): The City as Text, the City as Melodic Imaginary Subjectivation Host: Alenka Barber-Kersovan (Lüneburg) |
| 14.45 – 16.15h | Parallel Sessions IV | |
| W.122 | Assemble and Build: Hip-Hop Archives and New Civic Identities
Mark Campbell (Toronto): Toronto Stand up! From T-Dot to the 6ix, or Not: The Role of Archiving Hip Hop in Remapping Toronto’s Identity Murray Forman (Boston): ’To Promote and Preserve the Culture’: Hip-Hop in and as Urban Institution Pacey Foster (Boston): Public Partners and Community Curators: Lessons from Building the Massachusetts Hip Hop Archive Chair: Lisa Gaupp (Lueneburg) |
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| W.123 | The (In-)formality of Street Music
Jhessica Reia (Rio de Janeiro): Street Music, Informality, and the Right to the City: A Transnational Perspective Melanie Ptatscheck (Lüneburg): ’Busker’s Philosophy’- Urban Stages and Street Musicians in Los Angeles Alenka Barber-Kersovan (Lüneburg): Busk the City. Regulation and Festivalisation of Street Music Chair: Will Straw (Montreal) |
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| 16.15 – 16.45h | 1st Floor | Coffee Break |
| 16.45 – 18.15h | Parallel Sessions V | |
| W.122 | Power and Politics
Pete Dale (Manchester): Remember the Riots in 1991? ’New Monkey’ in Newcastle upon Tyne and the Folk Memory of Public Disorder Lisa Gaupp (Lüneburg): Urban Music Festivals and Politics of Diversity Safa Canalp (Örebro): Towards a Notion of Subcultural Transfer- Part 4: The thin Line between Co-optation and Collaboration Chair: Giacomo Bottá (Helsinki) |
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| W.123 | Affective Scenes
Sebastian Matthias (Berlin): Groove me – Choreographic Groove and the City Pranoo Deshraju (Hyderabad): Sex and Sound in Bombay City: Aural Pleasure and Anxiety in Filmi Disco Eduardo de la Fuente & Michael Walsh (Canberra): Sonic Textures: Listening Practices and the ’Framing’ of Urban Experience Chair: Rosa Reitsamer (Vienna) |
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| 18.30h | Music School | Concert and Artist Talk ‘SessiOn Board’
Concerts by Ensemble Megaphon and Brass Riot Artist Talk: Music Making and how it is Affected by Place, Moving & Seeking Refuge Open Jam-Session Get Together, Drinks & Fingerfood This event is organized in cooperation with global board and funded by Stiftung Niedersachsen. |
Sunday, 25th November 2018
| 9.00 – 10.30h | Parallel Sessions VI | |
| W.122 | Social Engagement & Cultural Hegemony
Pete Dale (Manchester) & Pam Burnard (Cambridge): Urban Music as Culturally and Socially Engaged Practices Theorised Volker Kirchberg & Leonie Seibel (Lüneburg): The Emerging Urban Significance of Contemporary Chamber and New Music Orchestras Sigrún Lilja Einarsdóttir (Bifröst): The City of the Dreaming Spires: Cultural Hegemony, Social Diversity and Elitism in the Oxford Collegiate Choral Context Chair: Alenka Barber-Kersovan (Lueneburg) |
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| W.123 | Scenes & Scenography
Kwende Kefentse (London): Scenography: A Methodology for the Spatial Analysis of Music Scenes, and a Window into their Value Luiz Alberto Moura (Lisbon): Passion, Demos and Tapes: A Cartography of the Portuguese Indie Labels and Musical Scenes (1977-2017) Paula Guerra (Porto): Lost in the Néons of a ’New City’: the Relations between the City and Music in Portugal from the Eighties to the Present Chair: Robin Kuchar (Lueneburg) |
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| 10.30 – 11.00h | 1st Floor | Coffee Break |
| 11.00-12.00h | W.HS 3 | Plenary Lecture:
Martin Cloonan (Turku): Glasgow Memories: Some Reflections in Being on a Scene Host: Volker Kirchberg (Lueneburg) |
| 12.15-13.15h | Parallel Sessions VII | |
| W.122 | The Global vs. the Local in Urban Contexts
Michael Kahr (Graz): Jazz & the City: Local Music in Global Context Iryna Paliy (Kharkiv): The Principles of “Global Village” in the Musicological Field Chair: Lisa Gaupp (Lueneburg) |
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| W.123 | Sonic Materialities & Urban Rituals
Dennis Büscher-Ulbrich (Kiel): Surplus Trap: Towards a Materialist Analysis of Trap Music Marek Jeziński (Torùn): Rituals that Groove the City: Music Festivals as the Urban Phenomenon Chair: Rosa Reitsamer (Vienna) |
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| 13.30h | W.HS 3 | Closing Remarks |
| 14.00h | 1st Floor | Quick Lunch & Coffee |
| 14:30 – 16.00h | W.122 | Urban Music Studies Network Meeting
Conference review, discussion of next steps: book series ‘Urban Music Studies’& further events |
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