Sound is an essential part of urban life and experience. However, apart from noise abatement, it has so far hardly been taken into account in urban design. Based on this statement, Thomas Kusitzky asks about the conditions for a conscious practice of urban sound design and shows starting points for establishing it. He not only asks about the role of designers and planners, but also looks at the entire network of actors who, through their interrelated actions, produce such a design practice.
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This volume edited by Christina Ballico explores the connection between music and the social production of remote places. In a series of case studies from around the world, the book succinctly lays out the challenges of peripheral locales, but we also learn how musical activities emerge because they take place in the periphery, not just in spite of relative isolation.




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